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G and Ab (G sharp and A flat major) are the same chord, but their names change depending on the key they are played in. Try in a chord progression. G# - C#m - A#m - D# / Ab - Dbm - Bbm - Eb. Chords that sounds good together with G#. The primary chords that sound good in a chord progression with G# is: A#m, Cm, C#, D# and Fm. Follow-up chords

Capo fret 3 Intro F G C.. F G C.. F par ale tadi malam yang ada telefon.. G tanya.. C apa batul sakarang beta ni su move on.. F jang tanya tentang rasa.. G dong di sana su bilang.. C kalo ale su bahagia.. F jang ganggu beta lai G beta sing mau bakalai C biar jua beta pamit pulang Em Am deng bae bae.. F G buang se pu rasa sayang.. par beta C sekarang katong cuma tamang.. Reff F G sayang dia.. C jang bekeng dia terluka Em Am macam se biking beta.. Dm G jaga dia.. polo dia C saat beta su seng ada.. F G cinta dia.. C kasih semua se pu setia Em Am macam se kasi beta.. Dm G cukup beta.. yang terluka C dangke nona beta pulang.. F inga yang terbaik seng bisa G datang par dua kali C Em beta jua seng mau nanti Am se jatuh par ulang kali F G aer mata jatuh sambunyi C tanpa harus dong tau.. F jang ganggu beta lai G beta sing mau bakalai C biar jua beta pamit pulang Em Am deng bae bae.. F G buang se pu rasa sayang.. par beta C sekarang katong cuma tamang.. Reff F G sayang dia.. C jang bekeng dia terluka Em Am macam se biking beta.. Dm G jaga dia.. polo dia C saat beta su seng ada.. F G cinta dia.. C kasih semua se pu setia Em Am macam se kasi beta.. Dm G cukup beta.. yang terluka C dangke nona beta pulang.. F par ale tadi malam yang ada telefon.. G tanya.. C apa batul sakarang beta ni su move on.. - ===ORIGINAL CHORD=== - Intro G A D.. G A D.. G par ale tadi malam yang ada telefon.. A tanya.. D apa batul sakarang beta ni su move on.. G jang tanya tentang rasa.. A dong di sana su bilang.. D kalo ale su bahagia.. G jang ganggu beta lai A beta sing mau bakalai D biar jua beta pamit pulang Gm Cm deng bae bae.. G A buang se pu rasa sayang.. par beta D sekarang katong cuma tamang.. Reff G A sayang dia.. D jang bekeng dia terluka Gm Cm macam se biking beta.. Fm A jaga dia.. polo dia D saat beta su seng ada.. G A cinta dia.. D kasih semua se pu setia Gm Cm macam se kasi beta.. Fm A cukup beta.. yang terluka D dangke nona beta pulang.. G inga yang terbaik seng bisa A datang par dua kali D Gm beta jua seng mau nanti Cm se jatuh par ulang kali G A aer mata jatuh sambunyi D tanpa harus dong tau.. G jang ganggu beta lai A beta sing mau bakalai D biar jua beta pamit pulang Gm Cm deng bae bae.. G A buang se pu rasa sayang.. par beta D sekarang katong cuma tamang.. Reff G A sayang dia.. D jang bekeng dia terluka Gm Cm macam se biking beta.. Fm A jaga dia.. polo dia D saat beta su seng ada.. G A cinta dia.. D kasih semua se pu setia Gm Cm macam se kasi beta.. Fm A cukup beta.. yang terluka D dangke nona beta pulang.. G par ale tadi malam yang ada telefon.. A tanya.. D apa batul sakarang beta ni su move on.. Chord TELEFON - Gihon Marel feat. Toton Caribo Lihat semua Chord Gihon MarelChord Toton Caribo

Adominant seventh chord, or major-minor seventh chord is a chord composed of a root, major third, perfect fifth, and minor seventh.It can be also viewed as a major triad with an additional minor seventh.It is denoted using popular music symbols by adding a superscript "7" after the letter designating the chord root.: 77 The dominant seventh is found almost as often as the

Intro C D G.. C D G.. C par ale tadi malam yang ada telefon.. D tanya.. apa batul sakarang beta ni G su move on.. C jang tanya tentang rasa.. D dong di sana su bilang.. G kalo ale su bahagia.. C jang ganggu beta lai D beta sing mau bakalai.. G biar jua beta.. pamit pulang.. Bm Em deng bae bae.. C D buang se pu rasa sayang.. par beta G sekarang katong cuma tamang.. Chorus C D sayang dia.. G jang bekeng dia terluka.. Bm Em macam se biking beta.. Am D jaga dia.. polo dia G saat beta su seng ada.. C D cinta dia.. G kasih semua se pu setia Bm Em macam se kasi beta.. Am D cukup beta.. yang terluka G dangke nona beta pulang.. C inga yang terbaik D seng bisa datang par dua kali.. G Bm beta jua seng mau nanti Em se jatuh par ulang kali.. C D aer mata.. jatuh sambunyi G tanpa harus dong tau.. C jang ganggu beta lai D beta sing mau bakalai.. G biar jua beta.. pamit pulang.. Bm Em deng bae bae.. C D buang se pu rasa sayang.. par beta G sekarang katong cuma tamang.. Chorus C D sayang dia.. G jang bekeng dia terluka.. Bm Em macam se biking beta.. Am D jaga dia.. polo dia G saat beta su seng ada.. C D oh.. cinta dia.. cinta dia.. G kasih semua se pu setia Bm Em macam se kasi beta.. Am cukup beta.. cukup beta.. D yang terluka G dangke nona beta pulang.. C par ale tadi malam yang ada telefon.. D tanya.. apa batul sakarang beta ni G su move on.. Intro F G C.. F G C.. F par ale tadi malam yang ada telefon.. G tanya.. apa batul sakarang beta ni C su move on.. F jang tanya tentang rasa.. G dong di sana su bilang.. C kalo ale su bahagia.. F jang ganggu beta lai G beta sing mau bakalai.. C biar jua beta.. pamit pulang.. Em Am deng bae bae.. F G buang se pu rasa sayang.. par beta C sekarang katong cuma tamang.. Chorus F G sayang dia.. C jang bekeng dia terluka.. Em Am macam se biking beta.. Dm G jaga dia.. polo dia C saat beta su seng ada.. F G cinta dia.. C kasih semua se pu setia Em Am macam se kasi beta.. Dm G cukup beta.. yang terluka C dangke nona beta pulang.. F inga yang terbaik G seng bisa datang par dua kali.. C Em beta jua seng mau nanti Am se jatuh par ulang kali.. F G aer mata.. jatuh sambunyi C tanpa harus dong tau.. F jang ganggu beta lai G beta sing mau bakalai.. C biar jua beta.. pamit pulang.. Em Am deng bae bae.. F G buang se pu rasa sayang.. par beta C sekarang katong cuma tamang.. Chorus F G sayang dia.. C jang bekeng dia terluka.. Em Am macam se biking beta.. Dm G jaga dia.. polo dia C saat beta su seng ada.. F G oh.. cinta dia.. cinta dia.. C kasih semua se pu setia Em Am macam se kasi beta.. Dm cukup beta.. cukup beta.. G yang terluka C dangke nona beta pulang.. F par ale tadi malam yang ada telefon.. G tanya.. apa batul sakarang beta ni C su move on.. Chord Telefon Chord Gihon Marel Chord Toton Caribo ChordBeta Su Gagal Berjuang This give can not be combined with any other supply. Digital content material and expert services may perhaps only be accessible to buyers located in the U.S. and so are topic on the conditions and terms of Amazon Electronic Products and services LLC. Supply limited to one for every consumer and account. Amazon reserves the appropriate to

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Thereare 5 basic rules to follow when writing a chord progression. Choose a key to write in (if you are just starting out the C major, G major, A minor and E minor are good keys to start with) Work out the primary chords (I, IV, V). Start to build your progressions with these. Then move on to using secondary chords (II, III, VI) to develop The4 basic chord types are: 1. Major Chords. Major chords sound full, resolved and complete. Everything from Tom Petty’s “Free Fallin’” to the “Happy Birthday” song are built from simple progressions of major chords. Major chords are built by adding the intervals of a major third and perfect fifth above the root. Ourfree guitar chord chart makes looking up how to play a guitar chord very easy!

F# C# G# A#m D#m D# Fm] Chords for BETA SU GAGAL BERJUANG - JUSTY LADRIN ft HENDRI ENDICO ( VIDEO LIRIK) with song key, BPM, capo transposer, play along with guitar, piano, ukulele & mandolin.

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beta su move on chord